When my friend Rick Cortez gave me a tour of the dilapidated industrial compound he had just purchased for his architecture firm’s new headquarters, I knew he would soon transform it into the kind of clean modern workspace he is known for.  At that moment, though, the former HI Electronics factory was an  empty shell.  As we walked through the jumble of buildings, Rick told me of his visits to the site prior to taking possession.  The workforce, which manufactured circuit boards and sold odd kinds of equipment, like megaphones,  had dwindled to a handful of haplesss employees. Some labored in rooms lit by eerie yellow flourescent bulbs.  Others shuffled about in a nearly empty warehouse.    I thought that Rick and his team should forever remember the quirky “before” of their new home. And so, on the day before demolition began, I decided to “imagine” the company in its heyday, using some of the items they left behind.

 ABOVE: The front section was a warren of wood paneled offices, where workers toiled under the benevolent gaze of the company’s founder. BELOW: The cheery lobby welcomed visitors.

ABOVE/BELOW: Each office boasted a colorful clock, necessary to keep things punctual in the high pressure megaphone business.

ABOVE: A comfortable chair was reserved for the foreman, who viewed the factory’s buzz through a special window. BELOW: Yellow lighting in the lunchroom encouraged leisurly breaks.

BELOW: An innovative trolley system was used to move materials.  Circuit breakers were mounted upside down so that gravity would increase the flow of electricity to the machines.

ABOVE: Factory workers were fanatical about cleanliness.     BELOW:  Special “self-contained” wiring was another innovation.

ABOVE: Danger signs kept technicians alert.  Only highly trained personel were permitted to use the “red” door.  BELOW:  Safety gloves were air dried overnight to keep them fresh.

ABOVE: Although horn sales were up, no one was named employee of the month for an entire year.   BELOW: Julie Lee was honored by the Lioness Club for her spirit and industriousness.

ABOVE/BELOW:  While the assembly line workers waited for the latest power installation,  engineers in the front office dreamed of circuit boards and golfing vacations. 

BELOW:   Building thermostats were set at a constant 70.5%.  Company officers kept a change of clothes on hand in case of an emergency sales call. 

BELOW:  The company “bible” was the 2,500 page International Directory of Washers (1978 edition).  Computer equipment was state of the art.

BELOW: Lit by soothing flourescent light, the president keep his office tidy, with plenty of bullhorns on hand to summon his staff when needed.

BELOW:  Upon retirement, a veteran worker is seen gazing longingly through an open window at his former office.

ABOVE:  Between the front office and the factory floor, the security guard kept a watchful eye to prevent pilfering. BELOW: The company’s warm and inviting philosphy. 

Rick Cortez and his team at RACDesignBuild plan on moving into their new headquarters before the summer.  More about RAC can be found here.  As to HI Electronics–the company’s whereabouts is currently unknown.

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MARY-AUSTIN KLEIN, SEEING THE LIGHT.

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When Mary-Austin Klein casts an eye on her native city, she is seeking the painter’s most precious commodity—light. The purest, cleanest light possible. And when Los Angeles can only offer up a blinding white haze, she knows its time to travel. In search of crystal blue skies. And puffy white clouds.

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DAMON ROBINSON, NEIGHBORHOOD NOMAD.

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Iknow more than a few artists who roll up to their studios on two wheels, but only Damon Robinson has room for one of his dogs. Damon likes to do things his way. Around here, he’s become a kind of tatooed godfather to a crew of young artists who live and work at his compound, [...]

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GARY FERGUSON, SURF AND SAND.

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Gary Ferguson likes to surf in the morning to clear his head, then retreat to his woodshop in the afternoon, where he  designs and builds his one-of-a-kind furniture.   In the midst of the Frogtown chaos, Gary's light filled studio is a quiet retreat.   

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HILDA CARDONA, LOVE AND METAL.

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Hilda Cardona has been toiling away in Frogtown for more than twelve years. In her blacksmith shop, she and her craftsmen heat and hammer and shape metal into ornate fixtures, furniture and art pieces.   There's only one thing missing from this old fashioned workplace–Hilda's husband Jorge.

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RICK CORTEZ, MR. DO ALL.

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There’s a great old piece of equipment in Rick Cortez’s Frogtown shop–a vintage bandsaw with a built-in welder. It was manufactured by the DO ALL company. In my mind, it instantly became a metaphor for Rick and his team, who not only design amazing spaces, but have the talent and equipment to build them, too.

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MICKEY FIELDING, FEATS OF CLAY.

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It was difficult for me  to beleive that MIckey Fielding has been throwing pots and creating her unique designs for only five years.  Her work is mature,  throughly engaging, and completely unique.  I hope she doesn’t mind me saying this, but I’m not sure she knows just how good she is.

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ALISA YANG, COLORING OUTSIDE THE LINES.

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Growing up, Alisa Yang had plenty of ordinary coloring books to amuse her. Today, she’s taking that very same imagery and flipping it on its head, much to the amusement and delight of those who have discovered her artwork. Walt Disney and Bugs Bunny must be spinning in their graves.

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BILL LAGATTUTA, ARROW DYNAMIC.

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photos and words BY JUDY STARKMAN People ask Bill Lagattuta why he has been painting so many arrows lately.  I like to think that as a man and an artist, Bill is constantly seeking direction toward the most interesting and fulfilling paths in his life.  I do know this–whatever metaphysical arrows pointed him to Frogtown [...]

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LEWIS MAUK, LOOKING INSIDE.

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Like so many talented artists, Lewis Mauk is constantly poking around in the recesses of his own life. For Lewis, its as much as search for inspiration as it is an act of  simply putting things in order.  Perhaps one day he’ll have all the answers he craves, but in the meantime his explorations have [...]

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RICHARD REYES, IRON MAN.

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Richard Reyes can seem intimidating at first. He’s  tall, with deep set dark eyes, and is often seen with a jagged piece of metal in his hand. But don’t be afraid. Richard is just on his way to work.  In his Frogtown metal shop, he’ll be cutting, grinding and welding into the night. 

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STEVE GRAZIANI, SMOKE AND MIRRORS.

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Steve Graziani’s work is based in illusion. After all, he worked for decades as a production designer and art director in television and movies.  So, its fitting that as a sculptor he chooses to transport his viewers to some otherworldly spot.

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EMETTE RIVERA, FORM AND FUNCTION.

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Emette Rivera has genuine respect for the wood he is about to cut into. He knows that his skills as a master craftsman will allow him to take the piece in the direction he wants. But he is also mindful that in the end the wood itself  will dictate its own final appearance.

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DONNA PUNGPRECHAWAT, EYE OF THE BEHOLDER.

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There is a dreamy, haunting quality to the paintings of Donna Pungprechawat. A kind of visual stream of consciousness. And at the end of your observational journey, you’ll often find a glaring eye staring right back at you.

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JIM PIATT, IDEA MAN.

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Going inside the mind of Jim Piatt can be a little dangerous. Its full of wild animals and laser beams and and Versace-clad terrorists. Jim's art reminds me a lot of Joseph Beuys, the German conceptual artist and theorist.  Not surprisingly,  Jim is both flattered and offended at this comparison.  He is constantly churning out [...]

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